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Woman makes ‘monstrous’ knitted masks to encourage social distancing

<p>An Icelandic woman has promoted social distancing through a novel, innovative way: knitting.</p> <p>Knitwear designer Ýrúrarí Jóhannsdóttir has gone viral after sharing her knitted masks and other isolation creations on social media.</p> <p>The 3D masks – which feature knits of mouths, teeth and jutting tongues – have been described by fans as “grotesque”, “<a href="https://www.vogue.com/article/icelandic-knitwear-designer-tongue-masks-yrurari-johannsdottir">trippy</a>” and “<a href="https://10daily.com.au/news/a200505cmtfy/woman-makes-grotesque-knits-to-scare-people-into-social-distancing-20200505">freakish</a>”.</p> <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/B_DKJ3xgUWt/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="margin: 8px 0 0 0; padding: 0 4px;"><a style="color: #000; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" rel="noopener" href="https://www.instagram.com/p/B_DKJ3xgUWt/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank">I’ve been experimenting with some of my sweater ideas to wear on a face, always interesting to see the outcome 👽 It has been fun to see masks inspired by mine, good use of quarantine time to knit💜But a reminder again, my masks are not made for safety, knitted masks are not safe to start with! Take care 🦠❌🦠❌🦠 #mask #knitting #fashionforbankrobbers</a></p> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;">A post shared by <a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px;" rel="noopener" href="https://www.instagram.com/yrurari/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank"> Ýrúrarí</a> (@yrurari) on Apr 16, 2020 at 10:00am PDT</p> </div> </blockquote> <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/B-4JbBOABY5/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/p/B-4JbBOABY5/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank">A post shared by Ýrúrarí (@yrurari)</a> on Apr 12, 2020 at 3:22am PDT</p> </div> </blockquote> <p>The 27-year-old designer said she has always been interested in tongues because “they are kind of rude, sticky, and strange”.</p> <p>She extended her work from sweaters to face masks due to the coronavirus pandemic.</p> <p>“I didn’t really make the masks to wear,” she told <em><a href="https://mashable.com/article/knitted-face-mask-tongue-lips/">Mashable</a></em>. “In my mind they are more like wearable sculptures, not made for safety [but] more as a fun approach to the rule of keeping distance.”</p> <p>“If you look scary enough people will stay away!”</p> <p>Jóhannsdóttir said the masks promoted the idea that “using masks can be fun”.</p> <p>“Everything we put on us can also be fun if we want it to, and bringing smiles to people’s faces in times like these is also important,” she told <em><a href="https://www.vogue.com/article/icelandic-knitwear-designer-tongue-masks-yrurari-johannsdottir">Vogue</a></em>.</p> <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/B_PcEsSAByb/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/p/B_PcEsSAByb/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank">A post shared by Ýrúrarí (@yrurari)</a> on Apr 21, 2020 at 4:27am PDT</p> </div> </blockquote> <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/B_aQTE0gOyo/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/p/B_aQTE0gOyo/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank">A post shared by Ýrúrarí (@yrurari)</a> on Apr 25, 2020 at 9:16am PDT</p> </div> </blockquote>

Entertainment

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Can’t go outside? Even seeing nature on a screen can improve your mood

<p>Are you feeling anxious or irritated during the coronavirus lockdown? Do you constantly want to get up and move? Maybe you need a moment to engage with nature.</p> <p>Getting into the great outdoors is difficult at right now. But our research soon to be published in <em>Australian Forestry</em> shows you can improve your mood by experiencing nature indoors. This could mean placing few pot plants in the corner of your home office, or even just looking at photos of plants.</p> <p>Our work adds to <a href="https://theconversation.com/biodiversity-and-our-brains-how-ecology-and-mental-health-go-together-in-our-cities-126760">a compelling body of research</a> that shows being around nature directly benefits our mental health.</p> <p><strong>Biophilia</strong></p> <p>Public gardens and parks, street verges with trees and bushes, and even rooftop gardens bring us a <a href="https://www.tandfonline.com/doi/full/10.1080/10630732.2019.1637694">broad range of benefits</a> – boosting <a href="https://doi.org/10.1016/S0749-3797(00)00317-2">physical health</a>, reducing <a href="https://doi.org/10.1016/j.envpol.2013.12.011">air pollution</a>, and even <a href="https://doi.org/10.3390/bs4040394">lowering crime rates</a>.</p> <p>But inside, in your hastily constructed home office or home school room, you may be unable to take full advantage of <a href="https://theconversation.com/green-for-wellbeing-science-tells-us-how-to-design-urban-spaces-that-heal-us-82437">urban nature</a>.</p> <p>Embracing the notion of “biophilia” – the innate human affinity with nature – while locked down inside may improve your productivity and even your health.</p> <p>The <a href="https://theconversation.com/building-a-second-nature-into-our-cities-wildness-art-and-biophilic-design-88642">biophilia hypothesis</a> argues modern day humans evolved from hundreds of generations of ancestors whose survival required them to study, understand and rely on nature. So a disconnection from nature today can cause <a href="https://link.springer.com/article/10.1023/A:1010043827986">significant issues for humans</a>, such as a decline in psychological health.</p> <p>In practice at home, connecting with nature might mean having large windows overlooking the garden. You can also <a href="https://makeitwood.org/documents/doc-1624-pollinate-health-report---february-2018.pdf">improve working conditions</a> by having natural materials in your office or school room, such as wooden furniture, natural stones and pot plants.</p> <p><strong>Indoor plants</strong></p> <p>Our research has demonstrated that even a small number of plants hanging in pockets on along a busy corridor provide enough nature to influence our physiological and psychological perceptions.</p> <p>These plants even caused behavioural differences, where people would <a href="https://www.sciencedirect.com/science/article/abs/pii/S1618866717306763">change their route</a> through a building to come into contact with the indoor plants.</p> <p>We surveyed 104 people, and 40% of the respondents reported their mood and emotions improved in the presence of indoor plants.</p> <p>They felt “relaxed and grounded” and “more interested”. The presence of indoor greenery provides a place to “relax from routine” and it made the space “significantly more pleasant to work in”.</p> <p>As one person reported:</p> <p><em>When I first saw the plants up on the wall brought a smile to my face.</em></p> <p><em>Whenever I walk down the stairs or walk past I mostly always feel compelled to look at the plants on the wall. Not with any anxiety or negative thoughts, rather, at how pleasant and what a great idea it is.</em></p> <p><strong>Looking at wildlife photography</strong></p> <p>Our research also explored whether viewing images, posters or paintings of nature would make a difference.</p> <p>We photographed the plants from viewpoints similar to those the corridor users experienced. Survey responses from those who only viewed these digital images were almost the same as those who experienced them in real life.</p> <p>While we can’t say for sure, we can hypothesise that given the importance of vision in modern humans, an image that “looks” like nature might be enough to trigger a biophilic response.</p> <p>However, physically being in the presence of plants did have some stronger behavioural effects. For example corridor users wanted to linger longer looking at the plants than those who viewed the photographs, and were more likely to want to visit the plants again. Maybe the other senses - touch, smell, even sound - created a stronger biophilic response than just sight alone.</p> <p>So the good news is if you can’t get to a nursery – or if you have a serious inability to keep plants alive – you can still benefit from looking at photographs of them.</p> <p>If you haven’t been taking your own photos, search the plethora of images from wildlife photographers such as <a href="http://gimesy.com/">Doug Gimesy</a>, <a href="http://lanting.com/">Frans Lanting</a> and <a href="https://www.tanyastollznow.com/">Tanya Stollznow</a>.</p> <p>Or check out live camera feeds of a wide range of environments, and travel to far-flung places without leaving the safety of home.</p> <p>While we haven’t tested the mood-boosting effects of live videos, we hypothesise their physiological and psychological effects will be no different than digital photographs.</p> <p>Here are seven places to help you get started.</p> <ul> <li>The <a href="https://bushblitz.org.au/">Bush Blitz</a> citizen science app launched a new online tool today. The species recovery program encourages children to explore their backyard to identify different species.</li> <li>“From the bottom of the sea direct to your screen”: watch this <a href="https://www.natureaustralia.org.au/what-we-do/our-priorities/oceans/ocean-stories/reef-cam-underwater/">underwater live stream</a> of Victoria’s rocky reef off Port Phillip Bay</li> <li>The Coastal Watch website offers <a href="https://www.coastalwatch.com/surf-cams-surf-reports">live camera feeds on beaches</a> around Australia.</li> <li>Watch the running water, trees and occasional fauna in California’s <a href="https://explore.org/livecams/zen-den/live-redwood-cam-1">Redwood Forest River</a>.</li> <li>In pastoral Australia, go on a <a href="https://youtu.be/qqYFgqN_q-w">four-hour drive through the country side</a> along tree-lined roads.</li> <li><a href="https://www.zoo.org.au/animal-house/">Zoos Victoria</a> has set up live cameras that show its animals in natural (and nature-like) environments from Melbourne Zoo and Werribee Open Range Zoo.</li> <li>Yellowstone National Park may be closed right now, but <a href="https://www.nps.gov/yell/learn/photosmultimedia/webcams.htm?sf174893829=1">webcams are stationed</a> in various locations throughout the park.</li> </ul> <p><em>Written by Cris Brack and Aini Jasmin Ghazalli. Republished with permission of <a href="https://theconversation.com/cant-go-outside-even-seeing-nature-on-a-screen-can-improve-your-mood-135320">The Conversation.</a></em></p>

Lifestyle

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Why do people believe con artists?

<p>What is real can seem pretty arbitrary. It’s easy to be fooled by misinformation disguised as news and deepfake videos showing <a href="https://www.nytimes.com/2020/02/09/technology/ben-nimmo-disinformation-russian-bots.html">people doing things they never did or said</a>. Inaccurate information – even deliberately wrong information – doesn’t just come from snake-oil salesmen, door-to-door hucksters and TV shopping channels anymore.</p> <p>Even the president of the United States <a href="https://www.worldcat.org/title/deciding-whats-true-the-rise-of-political-fact-checking-in-american-journalism/oclc/941139313&amp;referer=brief_results">needs constant fact-checking</a>. To date, he has made an <a href="https://www.washingtonpost.com/graphics/politics/trump-claims-database/">average of 15</a> false or misleading public claims every day of his presidency, according to a tally from the Washington Post.</p> <p>The study of <a href="https://www.ideasworthteachingawards.com/2019-course-winners/market-manipulations">business history</a> reveals that people everywhere have always had a sweet tooth for the unreal, enthralled by what should be taken as too good to be true.</p> <p>Cognitive scientists have identified a number of common ways in which <a href="https://www.worldcat.org/title/not-born-yesterday-the-science-of-who-we-trust-and-what-we-believe/oclc/1099689542&amp;referer=brief_results">people avoid being gullible</a>. But <a href="https://www.worldcat.org/title/ponzi-scheme-puzzle-a-history-and-analysis-of-con-artists-and-victims/oclc/851345711?referer=di&amp;ht=edition">con artists</a> are especially skillful at what social scientists call <a href="https://doi.org/10.1002/9781405186407.wbiecs107">framing</a>, telling stories in ways that appeal to the biases, beliefs and prominent desires of their targets. They use strategies that take advantage of <a href="https://theconversation.com/humans-are-hardwired-to-dismiss-facts-that-dont-fit-their-worldview-127168">human weaknesses</a>.</p> <p><strong>Unpleasant reality</strong></p> <p>Often, people who are “<a href="https://www.ft.com/content/7802f662-a7b2-11e9-984c-fac8325aaa04">emotionally vulnerable</a>” are <a href="https://www.ft.com/content/1f90bdfe-4522-11e9-b168-96a37d002cd3">unwilling to accept an unpleasant reality</a>. Consider Sir Arthur Conan Doyle, the British author who created Sherlock Holmes, the ultimate deductive rationalist – a character who said, “<a href="https://www.gutenberg.org/files/2097/2097-h/2097-h.htm#chap06">When you have eliminated the impossible</a> whatever remains, however improbable, must be the truth.”</p> <p>Yet, after experiencing family tragedies and the horror of the deaths in World War I, <a href="https://www.worldcat.org/title/conan-doyle-and-the-mysterious-world-of-light-1887-1920/oclc/1052838293&amp;referer=brief_results">Doyle publicly announced in 1916</a> that he subscribed to <a href="https://www.theatlantic.com/health/archive/2012/10/silencing-the-dead-the-decline-of-spiritualism/264005/">Spiritualist beliefs</a>, including that the <a href="https://www.theguardian.com/science/2013/oct/20/seances-and-science">spirits of the dead can communicate with the living</a>.</p> <p>In 1922, Doyle visited Harry Houdini in his home in New York City and was shown a clever magic trick involving automatic writing on a suspended slate. Houdini could not convince a stunned Doyle <a href="https://web.archive.org/web/20170412193049/http:/www.csicop.org/si/show/houdinirsquos_impossible_demonstration">it wasn’t paranormal activity</a>.</p> <p><strong>Envy and opportunism sideline doubt</strong></p> <p>Sometimes <a href="https://www.worldcat.org/title/envy-at-work-and-in-organizations/oclc/945169819&amp;referer=brief_results">people covet what their peers have already achieved</a> so badly that they will overlook the obvious and <a href="https://doi.org/10.1111/j.1750-4716.2007.00002.x">deceive themselves and others</a> in an effort to claim better opportunities and a better life.</p> <p>In 1822, a Scottish con man, Gregor MacGregor, convinced countrymen seeking easy wealth and their neighbors’ better lives to buy bonds, land and special privileges, fill two ships and sail to an idyllic country, the <a href="https://www.worldcat.org/title/land-that-never-was-sir-gregor-macgregor-and-the-most-audacious-fraud-in-history/oclc/229019939&amp;referer=brief_results">Land of Poyais</a>.</p> <p>MacGregor priced land in Poyais to make it affordable to Scottish tradesmen and unskilled workers who had heard of promising South American investments but lacked the means to take advantage of them. Poyais had a distinctive flag, its own currency and a diplomatic office in London. The only problem was that Poyais did not exist. Most of those who sailed died on the Mosquito Coast of Honduras. Some of the few survivors were so taken in that they refused to accept that Poyais did not actually exist and argued that it was MacGregor who had been defrauded.</p> <p><strong>Greed is blinding</strong></p> <p><a href="https://www.worldcat.org/title/ponzi-scheme-puzzle-how-victims-get-caught-in-the-net-and-how-self-awareness-can-help-protect-them/oclc/809163533&amp;referer=brief_results">Greed can prevent people from seeing</a> that they have made a decision that defies common sense.</p> <p>In 1925, the con artist Victor Lustig took advantage of the French government’s public complaints that it would cost more to renovate a decaying Eiffel Tower than to demolish it. He gathered together scrap iron dealers, convinced them the tower would be taken down and sold it to one of them. Then he sold it again. Lustig gained a reputation as the “<a href="https://www.smithsonianmag.com/history/man-who-sold-eiffel-tower-twice-180958370/">man who sold the Eiffel Tower</a>.”</p> <p><strong>Ignorance of customs and business practices</strong></p> <p>Swindlers can find opportunity in their marks’ ignorance and unfamiliarity with local customs. The confidence man George C. Parker <a href="https://www.nytimes.com/2005/11/27/nyregion/thecity/for-you-half-price.html">sold the Brooklyn Bridge four times</a>, usually to recent immigrants who did not understand that the bridge could not be sold. He also sold Grant’s Tomb, the Metropolitan Museum of Art and the Statue of Liberty.</p> <p><strong>Misery generates desperate belief</strong></p> <p><a href="https://www.healthline.com/health-news/why-people-fall-for-miracle-cures#6">Desperate people can suspend disbelief</a>. People believe promises have to be true when the alternative is too miserable. <a href="https://www.worldcat.org/title/titan-the-life-of-john-d-rockefeller-sr/oclc/866583942?referer=di&amp;ht=edition">John D. Rockefeller’s father, William,</a> was a bigamist and seller of alleged cures and ineffective patent medicines to ailing people, riding the circuit through rural towns. Bill “Doc” Rockefeller is said to have tutored his son, the builder of the <a href="https://www.britannica.com/topic/Standard-Oil">Standard Oil Trust</a>, in business.</p> <p><strong>Sometimes it’s just about trust</strong></p> <p>People believe stories because <a href="https://www.worldcat.org/title/ponzi-scheme-puzzle-how-victims-get-caught-in-the-net-and-how-self-awareness-can-help-protect-them/oclc/809163533&amp;referer=brief_results">they trust those who tell them</a>. They don’t know how to, or don’t want to bother to, investigate the claims – or see no need to do so.</p> <p>Starting as early as the mid-1980s, swindler <a href="https://www.worldcat.org/title/wizard-of-lies-bernie-madoff-and-the-death-of-trust/oclc/1022907270&amp;referer=brief_results">Bernie Madoff</a> sought investors in his <a href="https://www.sec.gov/fast-answers/answersponzihtm.html">Ponzi scheme</a> among wealthy Jewish retirees and their philanthropic organizations in the U.S., and, in Europe, among members of aristocratic families. His victims simply trusted others in the group who vouched for Madoff and his investments.</p> <p><strong>Claims are difficult or costly to disprove</strong></p> <p>In 1912, a skull, some bones and other relics were found in Piltdown in East Sussex in the U.K. The remains appeared to be from a creature who could be the long-sought “missing link” between apes and humans. It took over 40 years to confirm that <a href="https://www.sciencemag.org/news/2016/08/study-reveals-culprit-behind-piltdown-man-one-science-s-most-famous-hoaxes">Piltdown Man</a> was a hoax, and over 100 years to identify who forged it. It’s hard to disprove untruths – consider the ongoing searches for Bigfoot or the Loch Ness Monster.</p> <p><strong>People want dreams to be true</strong></p> <p>Sometimes, <a href="https://www.worldcat.org/title/not-born-yesterday-the-science-of-who-we-trust-and-what-we-believe/oclc/1099689542?referer=di&amp;ht=edition">despite built-in skepticism,</a> <a href="https://www.worldcat.org/title/ponzi-scheme-puzzle-how-victims-get-caught-in-the-net-and-how-self-awareness-can-help-protect-them/oclc/809163533&amp;referer=brief_results">people badly want improbable but wonderful things to be true</a> – to move the world with a dream. For instance, if alien spacecraft had really crashed and were being analyzed in <a href="http://content.time.com/time/specials/packages/article/0,28804,1860871_1860876_1861006,00.html">Area 51</a> in Nevada, it could mean that interstellar travel is possible.</p> <p><strong>Repetition – the hallmark of social media – creates belief</strong></p> <p><a href="https://theconversation.com/unbelievable-news-read-it-again-and-you-might-think-its-true-69602">Hearing a false claim over and over</a> can be enough to generate belief in it. A common advertising and public relations strategy is to be extremely visible by multiplying “<a href="https://www.investopedia.com/terms/i/impression.asp">impressions</a>,” so people see the message everywhere.</p> <p><strong>Independent matching claims are seen as credible</strong></p> <p>Repetition alone may not be sufficient. When people try to assess whether something is true, they often look for objective reasons on which to base their belief, such as finding two similar, independent judgments about events. In my research I call this the “<a href="https://ssrn.com/abstract=1278110">Rule of Two</a>.”</p> <p>On social media, users often see a claim repeatedly, posted by different friends or connections. The same information seems to come not only from everywhere but from apparently independent sources. But often there is <a href="https://www.politifact.com/factchecks/2020/jan/07/nikki-haley/nikki-haleys-pants-fire-claim-top-democrats-are-mo/">just one source</a>, though easy online sharing makes it appear there are more than that. That is why so many observers worry about the role that social media has assumed in politics – it can lead people to believe that false claims are true.</p> <p>The 1938 radio broadcast of ‘War of the Worlds’ generated multiple reports and confused some, but did not cause mass hysteria.</p> <p><strong>People believe what others appear to believe</strong></p> <p>People have a built-in willingness to defer to confident assertions made by an <a href="https://journals.sagepub.com/doi/abs/10.1037/gpr0000111?journalCode=rgpa">apparently expert or legitimate authority</a>. In <a href="https://www.worldcat.org/title/obedience-to-authority/oclc/877329529?referer=di&amp;ht=edition">experiments by Stanley Milgram</a>, ordinary people complied with directives from the scientist to administer to subjects what they (falsely) believed were painful shocks. A passionate and convincing swindler, often masquerading as an expert – for example, an art dealer or researcher of miracle cures – exploits that weakness to get people to believe false claims.</p> <p>A related mechanism introduced by Robert Cialdini is called “<a href="https://www.worldcat.org/title/influence-science-and-practice/oclc/476204687?referer=br&amp;ht=edition">social proof</a>”: Seeing someone else do what you are thinking about doing frees you to act. It’s evidence of the correctness of the action. This is why con men often use “shills,” helpers who confirm to the victim that the con man’s scheme is legitimate.</p> <p><a href="https://www.worldcat.org/title/not-born-yesterday-the-science-of-who-we-trust-and-what-we-believe/oclc/1099689542?referer=di&amp;ht=edition">Research by Hugo Mercier and others</a>, as well as my research on the <a href="https://doi.org/10.1177/000765030003900405">theory of testaments</a> and ongoing work with <a href="https://ryanrc11.wixsite.com/robertryan">Robert C. Ryan</a> on the “skeptical believer model,” argues that human defenses against scams and falsehoods are more robust than the entertaining tales of bridges sold and voyages to nonexistent paradises would suggest. In more ways than one, social interaction can become a “con-test.”</p> <p>Society – including government – cannot function well if every claim requires fact-checking. Yet con artists thrive, year in and year out, in business, politics and everyday experience. Ultimately, however, a world of “<a href="https://www.nbcnews.com/meet-the-press/video/conway-press-secretary-gave-alternative-facts-860142147643">alternative facts</a>” is not the world that our dreams want to be true.</p> <p><em>Written by Barry M. Mitnick. Republished with permission of The </em><a href="https://theconversation.com/why-do-people-believe-con-artists-130361"><em>Conversation.</em></a></p>

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“I want to stare death in the eye”: why dying inspires so many writers and artists

<p>It may seem paradoxical, but dying can be a deeply creative process.</p> <p>Public figures, authors, artists and journalists have long written about their experience of dying. But why do they do it and what do we gain?</p> <p>Many stories of dying are written to bring an issue or disease to public attention.</p> <p>For instance, English editor and journalist Ruth Picardie’s description of terminal breast cancer, so poignantly described in <a href="https://www.goodreads.com/en/book/show/424646.Before_I_Say_Goodbye">Before I say Goodbye</a>, drew attention to the impact of medical negligence, and particularly misdiagnosis, on patients and their families.</p> <p>American tennis player and social activist Arthur Ashe wrote about his heart disease and subsequent diagnosis and death from AIDS in <a href="https://www.goodreads.com/book/show/698054.Days_of_Grace">Days of Grace: A Memoir</a>.</p> <p>His autobiographical account brought public and political attention to the risks of blood transfusion (he acquired HIV from an infected blood transfusion following heart bypass surgery).</p> <p>Other accounts of terminal illness lay bare how people navigate uncertainty and healthcare systems, as surgeon Paul Kalanithi did so beautifully in <a href="https://www.goodreads.com/book/show/25899336-when-breath-becomes-air">When Breath Becomes Air</a>, his account of dying from lung cancer.</p> <p>But, perhaps most commonly, for artists, poets, writers, musicians and journalists, dying can provide <a href="https://www.goodreads.com/book/show/25733900-the-violet-hour">one last opportunity for creativity</a>.</p> <p>American writer and illustrator Maurice Sendak drew people he loved as they were dying; founder of psychoanalysis Sigmund Freud, while in great pain, refused pain medication so he could be lucid enough to think clearly about his dying; and author Christopher Hitchens <a href="https://books.google.com.au/books/about/Hitch_22.html?id=H6nbV6nLcWcC&amp;redir_esc=y">wrote about</a> dying from <a href="https://www.cancer.org.au/about-cancer/types-of-cancer/oesophageal-cancer.html">oesophageal cancer</a> despite increasing symptoms:</p> <p><em>I want to stare death in the eye.</em></p> <p>Faced with terminal cancer, renowned neurologist Oliver Sacks wrote, if possible, more prolifically than before.</p> <p>And Australian author Clive James found dying a mine of new material:</p> <p><em>Few people read</em></p> <p><em>Poetry any more but I still wish</em></p> <p><em>To write its seedlings down, if only for the lull</em></p> <p><em>Of gathering: no less a harvest season</em></p> <p><em>For being the last time.</em></p> <p>Research shows what dying artists have told us for centuries – creative self-expression is core to their sense of self. So, creativity has <a href="https://www.headspace.com/blog/2017/04/18/grief-creativity-together/">therapeutic and existential benefits</a> for the dying and their grieving families.</p> <p>Creativity <a href="https://onlinelibrary.wiley.com/doi/abs/10.1002/jocb.171">provides</a> a buffer against anxiety and negative emotions about death.</p> <p>It may help us make sense of events and experiences, tragedy and misfortune, as a graphic novel did for cartoonist Miriam Engelberg in <a href="https://www.harpercollins.com/9780060789732/cancer-made-me-a-shallower-person/">Cancer Made Me A Shallower Person</a>, and as <a href="https://books.google.com.au/books?hl=en&amp;lr=&amp;id=MkcGiLeATe8C&amp;oi=fnd&amp;pg=PP2&amp;dq=%5BCarla+Sofka+and+Illene+Cupit+(eds)++Dying,+Death,+and+Grief+in+an+Online+Universe:+For+Counselors+and+Educators,+Springer+2012&amp;ots=vdXYa_3cvU&amp;sig=Od3eQ4A7_hadLwgIn4liIEoyo5c&amp;redir_esc=y#v=onepage&amp;q=%5BCarla%20Sofka%20and%20Illene%20Cupit%20(eds)%20%20Dying%2C%20Death%2C%20and%20Grief%20in%20an%20Online%20Universe%3A%20For%20Counselors%20and%20Educators%2C%20Springer%202012&amp;f=false">blogging and online writing</a>does for so many.</p> <p>Creativity may give voice to our experiences and provide some resilience as we face disintegration. It may also provide agency (an ability to act independently and make our own choices), and a sense of normality.</p> <p>French doctor Benoit Burucoa <a href="https://www.cairn.info/article.php?ID_ARTICLE=INKA_181_0005">wrote</a> art in palliative care allows people to feel physical and emotional relief from dying, and:</p> <p><em>[…] to be looked at again and again like someone alive (without which one feels dead before having disappeared).</em></p> <p><strong>A way of communicating to loved ones and the public</strong></p> <p>When someone who is dying creates a work of art or writes a story, this can open up otherwise difficult conversations with people close to them.</p> <p>But where these works become public, this conversation is also with those they do not know, whose only contact is through that person’s writing, poetry or art.</p> <p>This public discourse is a means of living while dying, making connections with others, and ultimately, increasing the public’s “<a href="https://www.ncbi.nlm.nih.gov/pubmed/29402101">death literacy</a>”.</p> <p>In this way, our <a href="https://www.thegroundswellproject.com/">conversations about death</a> become <a href="https://www.penguin.com.au/books/the-end-9781742752051">more normal, more accessible</a> and much richer.</p> <p>There is no evidence reading literary works about death and dying fosters <a href="https://en.wikipedia.org/wiki/Rumination_(psychology)">rumination</a> (an unhelpful way of dwelling on distressing thoughts) or other forms of psychological harm.</p> <p>In fact, the evidence we have suggests the opposite is true. There is plenty of <a href="http://www.artshealthandwellbeing.org.uk/appg/arts-and-palliative-care-dying-and-bereavement">evidence</a> for the positive impacts of both making and consuming art (of all kinds) at the <a href="http://www.artshealthandwellbeing.org.uk/appg-inquiry/Briefings/WWCW.pdf">end of life</a>, and specifically <a href="https://spcare.bmj.com/content/7/3/A369.2">surrounding palliative care</a>.</p> <p><strong>Why do we buy these books?</strong></p> <p>Some people read narratives of dying to gain insight into this mysterious experience, and empathy for those amidst it. Some read it to <a href="https://www.nytimes.com/2012/03/18/opinion/sunday/the-neuroscience-of-your-brain-on-fiction.html">rehearse</a> their own journeys to come.</p> <p>But these purpose-oriented explanations miss what is perhaps the most important and unique feature of literature – its delicate, multifaceted capacity to help us become what philosopher <a href="https://www.newyorker.com/magazine/2016/07/25/martha-nussbaums-moral-philosophies">Martha Nussbaum</a> <a href="https://www.jstor.org/stable/pdf/2026358.pdf?seq=1">described as</a>:</p> <p><em>[…] finely aware and richly responsible.</em></p> <p>Literature can capture the <a href="https://www.theguardian.com/books/2003/apr/01/londonreviewofbooks">tragedy</a> in ordinary lives; its depictions of <a href="https://partiallyexaminedlife.com/2016/08/12/martha-nussbaum-on-emotions-ethics-and-literature/">grief, anger and fear</a> help us fine-tune what’s important to us; and it can show the <a href="https://books.google.com.au/books/about/Love_s_Knowledge.html?id=oq3POR8FhtgC">value of a unique person</a> across their whole life’s trajectory.</p> <p><strong>Not everyone can be creative towards the end</strong></p> <p>Not everyone, however, has the opportunity for creative self-expression at the end of life. In part, this is because increasingly we die in hospices, hospitals or nursing homes. These are often far removed from the resources, people and spaces that may inspire creative expression.</p> <p>And in part it is because many people cannot communicate after a stroke or dementia diagnosis, or are <a href="https://www.theatlantic.com/family/archive/2019/01/how-do-people-communicate-before-death/580303/">delirious</a>, so are incapable of “<a href="https://press.princeton.edu/books/hardcover/9780691628554/last-words">last words</a>” <a href="https://www.amazon.com/Final-Gifts-Understanding-Awareness-Communications/dp/1451667256">when they die</a>.</p> <p>Perhaps most obviously, it is also because most of us are not artists, musicians, writers, poets or philosophers. We will not come up with elegant prose in our final days and weeks, and lack the skill to paint inspiring or intensely beautiful pictures.</p> <p>But this does not mean we cannot tell a story, using whatever genre we wish, that captures or at least provides a glimpse of our experience of dying – our fears, goals, hopes and preferences.</p> <p>Clive James <a href="https://www.theguardian.com/books/2018/sep/01/clive-james-poem-story-mind-heading-obivion">reminded us</a>:<em> “There will still be epic poems, because every human life contains one. It comes out of nowhere and goes somewhere on its way to everywhere – which is nowhere all over again, but leaves a trail of memories. There won’t be many future poets who don’t dip their spoons into all that, even if nobody buys the book.”</em></p> <p><em>Written by Claire Hooker and Ian Kerridge. Republished with permission of <a href="https://theconversation.com/i-want-to-stare-death-in-the-eye-why-dying-inspires-so-many-writers-and-artists-128061">The Conversation.</a> </em></p>

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Synonyms to use that will make you a better writer

<p><strong>Put it in writing</strong></p> <p>Good writing is considerate of its audience. You want to think about your reader and consider the best way to get your message across to them. Even in the digital age, the right word elevates your writing and the wrong one drags it down. If you’re writing in a business context, you want to make a good impression and come across as professional. You want to be efficient, but not overly dry. While keeping your writing clear of grammar and spelling errors is a given, you’ll also want to use words that avoid cliché and relay your message with aplomb.</p> <p>You’ll also want to avoid these overused words that make you sound boring.</p> <p><strong>Instead of using “a lot”</strong></p> <p>A lot is a descriptor that skews ultra-casual. If you describe your background by saying, “I have a lot of experience,” or convey your aptitude with “I have a lot of ideas,” you come across as too laid-back and imprecise. Laura Hale Brockway, at Entrepreneur, offers 32 alternative synonyms for “a lot.” She offers descriptors like “a great deal” or “a copious amount” as a stand-in for the informal term. Choose a synonym that elevates your message and offers precision like “myriad” or “several.”</p> <p><strong>Instead of using “fine”</strong></p> <p> “Fine” is a rejoinder to questions about either quality or physical health. However, it’s become so common that it now means “OK” or “average.” If you’re writing in a business setting or descriptively, “fine” seems polite, but there are other options that can get specific about what you’re describing. A simple synonym is “well,” as in “I’m feeling well.” You can also use synonyms like “exceptional” or “skilful” to describe quality. If you do mean “fine” in the sense of passable, use “mediocre” or “average” instead.</p> <p><strong>Instead of using “very”</strong></p> <p>Very is a qualifier that’s often overused. How many times have you peppered emails or business communications with this word? Have you ever written “I’m very excited about the upcoming project” or “Your work is very good?” Eliminate “very” unless it adds necessary and real meaning to the idea you describe. If it’s important then use synonyms for “very” like “remarkably,” “substantially,” “emphatically,” or “profoundly.” Otherwise, using “very” adds sloppy imprecision to your writing.</p> <p><strong>Instead of using “great”</strong></p> <p>Great is a superfluous term that often shows up in place of “yes” or “good” in written writing. It’s a shorthand term that conveys enthusiasm but has become so common that it’s lost its nuance as a descriptor. Consider more precise words like “choice” or “breathtaking” to describe a state of being or an object’s quality. Here are some more options from Daily Writing Tips like “deluxe” and “favourable” that get closer to the idea you’re trying to convey. Looking for more great synonym options for words like great?</p> <p><strong>Instead of using “crazy”</strong></p> <p>Using “crazy” (or “insane”) is common, but it’s an imprecise way to express what you really mean. Katie Dupere at Mashable explains that the term is insensitive and makes light of mental health issues. The term is also far from what you mean to say. Look carefully at what you’re actually trying to convey when you write, “The midterm was crazy” or “The project was insane.” It’s best to stay away from casual idioms in formal writing. You also want to stay mindful about how such terms could affect your reader. Consider words like “busy,” “intense,” “erratic,” and “wacky” as synonyms. Let the idea of what you truly want to convey be your guide.</p> <p><em>Written by Molly Pennington, PhD. This article first appeared in </em><a href="https://www.readersdigest.com.au/culture/12-synonyms-that-will-make-you-a-better-writer?slide=all"><em>Reader’s Digest.</em></a><em> For more of what you love from the world’s best-loved magazine, </em><a href="http://readersdigest.innovations.com.au/c/readersdigestemailsubscribe?utm_source=over60&amp;utm_medium=articles&amp;utm_campaign=RDSUB&amp;keycode=WRA87V"><em>here’s our best subscription offer.</em></a><em><u> </u></em></p>

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Why board games are booming

<p>Board games are booming. <a href="https://www.theguardian.com/technology/2016/sep/25/board-games-back-tabletop-gaming-boom-pandemic-flash-point">Article</a> after <a href="https://time.com/4385490/board-game-design/">article</a> describes a “<a href="https://www.theguardian.com/technology/2014/nov/25/board-games-internet-playstation-xbox">golden</a> <a href="https://attackofthefanboy.com/articles/the-golden-age-of-board-games-continues-to-get-better-every-year/">age</a>” or “<a href="https://www.usatoday.com/story/life/2017/07/31/bored-digital-games-join-board-game-renaissance/476986001/">renaissance</a>” of boardgaming.</p> <p>In Germany, the home of modern boardgaming, the industry has grown by over 40% in the past five years; the four-day <a href="https://www.spiel-messe.com/en/%22%22">SPIEL trade fair</a> this year saw 1,500 new board and card game releases, with 209,000 attendees from around the world.</p> <p>What is it about board games that attracts people, and what emerging trends can we see in the latest releases?</p> <p><strong>Social, challenging, real</strong></p> <p>Four main elements make board games enjoyable for families and <a href="https://boardgamegeek.com/">dedicated</a> hobbyists alike.</p> <p>Firstly, board games are social; they are played with other people. Together, players select a game, learn and interpret the rules, and experience the game. Even a mediocre game can be fun and memorable when you play it with the right group of people.</p> <p>Secondly, boardgames provide an intellectual challenge, or an opportunity for strategic thinking. Understanding rules, finding an optimal placement for a piece, making a move that surprises your opponent – all of these are enormously satisfying. In many modern boardgames, luck becomes something that you mitigate rather than something that arbitrarily determines a winner.</p> <p>Thirdly, board games are material – they are made of things; they have weight, substance, and even beauty.</p> <p>Hobbyists speak of the tactile joy and sensual delight of moving physical game pieces, and of their appreciation for the detailed art on a game box or board. Some go to great lengths to protect their games from damage, even “sleeving” individual cards in plastic to protect them from greasy fingers, spills or wear.</p> <p>Collectable Monopoly sets and other <a href="https://www.workandmoney.com/s/valuable-vintage-board-games-32b5423591a94861">vintage games</a> can fetch hundreds of thousands of dollars at auction.</p> <p>Finally – and this helps to explain the enormous volume of new releases each year – board games provide variety. Beyond “the cult of the new” lurks a desire to have the right game for the right situation – whatever combination of gamers and strategic depth that might require.</p> <p>The game’s theme matters, but so do the mechanisms of its play, as well as the game’s expected duration. Like authors, <a href="https://www.boardgamequest.com/top-10-board-game-designers/">game designers</a> such as Pandemic creator Matt Leacock attract a following of fans who enjoy the style of games that they produce.</p> <p><strong> ‘Escape room’ experiences</strong></p> <p>To meet the demand for variety, designers look for new elements to offer in their games. “<a href="https://nonstoptabletop.com/blog/2017/6/17/tear-up-your-cards-legacy-games-explained">Legacy</a>” style games – where players customise the game as they play it, writing on the board, and discarding rules or game components – create a one-off, individualised variant of a core game. They also invite a group to play together over several play sessions, modifying “their” game throughout the experience.</p> <p>That can feel confronting to those of us who grew up protecting our games from “damage”.</p> <p>If writing on game pieces is confronting, the <a href="https://boardsandpawns.com/2019/05/11/the-complete-list-of-exit-the-game-series/">Exit</a> game series, by German couple <a href="https://opinionatedgamers.com/tag/inka-markus-brand/">Inka and Markus Brand</a> is even more so.</p> <p>These small, inexpensive games aim to replicate the experience of an “<a href="https://en.m.wikipedia.org/wiki/Escape_room">escape room</a>” experience by providing the players with a series of puzzles to solve together, as a cooperative activity. To solve the puzzles, however, players must literally destroy the game – cutting up cards, tearing objects, folding and gluing and writing on them.</p> <p>Board games are not fading away in the digital world. They are booming.</p> <p>There’s a lot to be said for these low cost single-play games, which build communication and teamwork skills and – like real-world escape rooms – provide an opportunity for friends and families to work together to solve a common problem.</p> <p>For those who would like to be able to retrace their steps, or to pass a game on to friends, the <a href="https://www.spacecowboys.fr/unlock-demos-english">Unlock!</a> game series takes a different look at the escape room genre by using an integrated app to provide clues and answers.</p> <p>This ensures that the game itself is replayable, even if the players do not wish to revisit the same story.</p> <p>Like Exit games, the Unlock! series offers creative opportunities to combine different objects as part of solving the puzzles, but adds occasional multimedia elements and uses the various properties of a smartphone as problem-solving tools.</p> <p><strong>Real boards, digital play</strong></p> <p>For people who enjoy solving puzzles, there are many other new games that combine <a href="http://www.digra.org/digital-library/publications/digitising-boardgames-issues-and-tensions/">digital technologies</a> with the components and feel of a board game.</p> <p><a href="https://boardgamegeek.com/boardgame/239188/chronicles-crime">Chronicles of Crime</a> puts players in the role of police detectives, who must travel to different locations to interview suspects, consult experts, and conduct searches.</p> <p>Similarly, <a href="https://detectiveboardgame.com/">Detective</a> sets players to solve a series of crimes. In this game, however, it is not enough to simply learn who committed a crime, it also must be proven by the chain of collected (and registered) evidence registered by players on a custom website.</p> <p>These games reflect the broader development of a small group of games that use digital tools to add new features to board games.</p> <p><a href="https://boardgamegeek.com/boardgame/286927/one-night-ultimate-super-heroes">One Night Ultimate Superheroes</a> uses an app to run the game, taking on an administrative role that would otherwise have to be performed by a player.</p> <p>The <a href="https://www.fantasyflightgames.com/en/products/the-lord-of-the-rings-journeys-in-middle-earth/">Lord of the Rings: Journeys in Middle-Earth</a> uses an app to speed setup, set game maps, resolve rules and track the players’ progress, streamlining and simplifying play.</p> <p><a href="https://boardgamegeek.com/boardgame/185709/beasts-balance">Beasts of Balance</a> – a simple, dexterity-based stacking game – uses an app to create a story world which brings the tabletop animal figures to life and encourages players to stack different figures to continue its narrative.</p> <p>These digital tools add variety to the range of boardgames that are available. More than simple battery-enabled games like <a href="https://en.wikipedia.org/wiki/Operation_(game)">Operation</a>, they provide new ways to interact with the game material and mechanisms while still supporting the sociability, intellectual challenge and tangibility so enjoyed by players.</p> <p>Physical board games aren’t going anywhere, but apps add exciting new possibilities to this play space.</p> <p><em>Written by Melissa Rogerson. Republished with permission of <a href="https://theconversation.com/board-games-are-booming-heres-why-and-some-holiday-boredom-busters-128770">The Conversation.</a> </em></p>

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5 funniest words added to the dictionary in the last decade

<p>Language is used to decipher the world in which we live, and that world is ever-changing. So are the words we use to describe it. Dictionaries keep track of words that are important enough to make the cut, including the seemingly strange ones that are culturally relevant at a certain point in time. In the past decade, some of those words have been downright funny. Why? Elin Asklöv, a language expert at Babbel, explains it’s because “we have a feeling they’re made up, and it’s funny to see them in a serious context in a dictionary, when in reality, all words are made up.” Here are a few recent additions to some very serious dictionaries that might surprise you – and make you giggle.</p> <p><strong>Meh</strong></p> <p>In our fast-paced, tech-driven world, it can be tempting to shorten your words, especially when writing online. Social media has a big influence on language, according to Asklöv. Meh is essentially the verbal equivalent of shrugging. It might sound surprising that such a meh word was added to the Merriam-Webster dictionary, but Asklöv isn’t surprised. “A lot of the words they’re adding come from informal settings, like through social media,” she explains. “It then travels to other types of media, gains popularity and becomes common enough to be added to the dictionary.”</p> <p><strong>Twerking</strong></p> <p>Merriam-Webster, which added this word in 2015, defines twerking as “sexually suggestive dancing characterised by rapid, repeated hip thrusts and shaking of the buttocks especially while squatting.” That may be the least hip way to describe twerking, says Kevin Lockett, author of The Digital Handbook 2020. But despite the clinical definition of the dance that was popularised by Miley Cyrus, Lockett gives kudos to the dictionary for including the word at all. After all, even though it seems like a silly thing to put in a formal book of language, twerking has – for better or worse – been culturally important to an entire generation.</p> <p><strong>Bromance</strong></p> <p>This word melds bro and romance to encapsulate “a close non-sexual friendship between men,” according to Merriam-Webster. Bromances are categorised by back-slap hugs and exchanges of “I love you, man,” with the emphasis on man. Asklöv points out that from a traditional gender-role perspective, the concept of a bromance is comical – and maybe a bit mocking. Right or wrong, that’s because it characterises a close relationship and emotions that men typically (or, rather, stereotypically) don’t show. But once a bromance is official, men can let their friendship flag fly.</p> <p><strong>Coot</strong></p> <p>This word has two meanings: an aquatic bird and an eccentric old man. The nature of the bird – small and unassuming – has been adopted to describe an older person of simple manners. But it’s usually used in conjunction with the word crazy, so it’s not quite as innocuous as that definition may sound. If you see such a person talking to himself near the coot pond, don’t worry – he’s just a crazy old coot. Although this word has been in existence since the 15th century, it was only added to the Oxford English Dictionary in 2014.</p> <p><strong>Scrumdiddlyumptious</strong></p> <p>You might be able to guess what this word means, but let’s see what the experts have to say. “Extremely scrumptious, excellent, splendid; (esp. of food) delicious” is how the Oxford English Dictionary defines it. This word was first used by novelist Roald Dahl and popularised in <em>Charlie and the Chocolate Factory</em>, and it was added to the dictionary in 2016.</p> <p><em>Written by Isabelle Tavares. This article first appeared in </em><a href="https://www.readersdigest.com.au/true-stories-lifestyle/our-language/12-funniest-words-added-to-the-dictionary-in-the-last-decade?slide=all"><em>Reader’s Digest</em></a><em>. For more of what you love from the world’s best-loved magazine, </em><a href="http://readersdigest.innovations.com.au/c/readersdigestemailsubscribe?utm_source=over60&amp;utm_medium=articles&amp;utm_campaign=RDSUB&amp;keycode=WRA87V"><em>here’s our best subscription offer.</em></a></p>

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Hidden women of history: Neaera, the Athenian child slave raised to be a courtesan

<p>The ancient worlds of Greece and Rome have perhaps never been as popular as they presently are. There are numerous television series and one-off documentaries covering both “big picture” perspectives and stories of ordinary people.</p> <p>Neaera was a woman from fourth century BCE Athens whose life is significant and sorrowful – worthy to be remembered – but may never feature in a glossy biopic.</p> <p>Possibly born in Corinth, a place where she lived from at least a young age, Neaera was raised by a brothel-keeper by the name of Nicarete.</p> <p>Her predicament was the result of her being enslaved to Nicarete. While we don’t know the reason for this, we do know that foundlings were common in antiquity. The parents of baby Neaera, for whatever reason, left her to fate – to die by exposure or be collected by a stranger.</p> <p>From a young age, Neaera was trained by Nicarete for the life of a hetaira (a Classical Greek term for “courtesan”). It was Nicarete who also named her, giving her a typical courtesan title: “Neaera” meaning “Fresh One”.</p> <p>Ancient sources reveal Naeara’s life in the brothel. In a legal speech by the Athenian politician and forensic orator, Apollodorus, the following description is provided: “There were seven young girls who were purchased when they were small children by Nicarete … She had the talent to recognise the potential beauty of little girls and knew how to raise them and educate them with expertise – for it was from this that she had made a profession and from this came her livelihood.</p> <p>“She called them ‘daughters’ so that, by displaying them as freeborn, she could obtain the highest prices from the men wishing to have intercourse with them. After that, when she had enjoyed the profit from their youth, she sold every single one of them …”</p> <p>The occasion for the passage from Apollodorus is a court case that was brought against Neaera in approximately 343 BCE. Neaera was around 50-years-old by the time of her prosecution, which took place in Athens.</p> <p><strong>Trafficking and abuse</strong></p> <p>The circumstances of her trial are complicated, involving the buying, selling, trafficking and abuse of Neaera from a very young age.</p> <p>Piecing together the evidence from Apollodorus’ prosecution speech, which has come down to us with the title, “Against Neaera”, it transpires that two of her clients, who shared joint ownership of her, allowed her to buy her freedom around 376 BCE.</p> <p>Afterwards, she moved to Athens with one Phrynion, but his brutal treatment of her saw Neaera leave for Megara, where circumstances caused her to return to sex work.</p> <p>Further intrigues involving men and sex work saw Neaera eventually face trial on the charge of falsely representing herself as a free Athenian woman by pretending to be married to a citizen.</p> <p>The charge of fraud was based on the law that a foreigner could not live as a common law “spouse” to a freeborn Athenian. The fact that Neaera also had three children, a daughter by the name of Phano, and two sons, further complicated the trial and its range of legal entanglements.</p> <p>While we never discover the outcome of the trial, nor what happened to Neaera, the speech of the prosecutor remains, and reveals much about her life. Unfortunately, the speech of the defence is lost.</p> <p>We do know, however, that the man with whom Neaera cohabitated, Stephanus, delivered the defence. Of course, he was not only defending Neaera – he was defending himself! Should Neaera have been found guilty, Stephanus would have forfeited his citizenship and the rights that attended it.</p> <p>Stephanus had a history of legal disputes with the prosecutor, Apollodorus. He also had a history of being in trouble with the law. For example, he had illegally married off Phano – not once, but twice – to Athenian citizens. Shady “get rich quick” schemes motivated such activities, and it seems that Stephanus was adept at using both his “wife” and his “daughter’ for bartering and personal profit.</p> <p>Another accusation revealed during the trial alleged that Stephanus arranged for Neaera to lure men to his house, engage them in sex, and then bribe them. And while Apollodorus provides no evidence for such a scam ever having taken place, judging by Stephanus’ track-record, it does not seem implausible.</p> <p><strong>Remembering Neaera</strong></p> <p>Reading through the long, complex and damnatory speech of Apollodorus, we risk losing sight of the woman at the centre of it. Caught amid petty politics, sex scandals, and personal vendettas is a woman who becomes peripheral to the machismo being played out in court.</p> <p>Yet, somewhat ironically, this is the only ancient source we have that records not only Neaera and the life she was forced to lead – but the life of a hetaira from infancy, girlhood, middle-age and, ultimately, past her "use by” date.</p> <p>Had she not been taken to court as part of the factional fighting of ancient Athens, had she not had her reputation annihilated so publicly, we would have never known about Neaera.</p> <p>Were it not for Apollodorus and his ancient version of “slut-shaming”, Neaera’s story would have been lost.</p> <p>But it hasn’t been lost. Somewhere, amid the male rhetoric, her story endures. Unfortunately, her voice is not preserved. All we can read in the speech, “Against Neaera” are the voices of men; her prosecutor and the witnesses he calls to the stand.</p> <p>Ironically, these testimonies and accusations - so casually introduced in ancient Athens, but received so differently today - emphasise the inhumanity of the sex trade in an antiquity too often and too unthinkingly valorised.</p> <p>The document known as “Against Neaera” is the only record we have of this (almost) hidden woman. It prompts us to remember. And it’s important to remember Neaera.</p> <p><em>Written by Marguerite Johnson. Republished with permission from <a href="https://theconversation.com/hidden-women-of-history-neaera-the-athenian-child-slave-raised-to-be-a-courtesan-126840">The Conversation.</a> </em></p>

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What I learned as a hairdresser in a war zone

<p><span style="font-weight: 400;">I don’t think my life is much different from anyone else’s, except that I decided to be a hairdresser in a war zone.</span></p> <p><span style="font-weight: 400;">When I first arrived in Kabul, I felt like I had been transported to biblical times – only most of the people had guns and I only had my scissors. It wasn't until I spent time in Afghanistan that I learned how powerful my trade of hairdressing was. The minute I pulled out my scissors and cape, I felt like the most popular kid in class – everyone wanted a haircut or colour.</span></p> <p><span style="font-weight: 400;">People like to think that because women are covered, they are plain – no makeup and hair undone. Let me tell you – that is the opposite of the truth. I have always gone that extra mile with my own hair and makeup, but these women made me look like a Plain Jane.</span></p> <p><span style="font-weight: 400;">One lady told me how she drove 12 hours over the Khyber Pass to Pakistan – dodging the Taliban the entire way – just to get foils and a good haircut. The Taliban had forced the salons to close and a few had gone underground. I was stunned at the risk these women took just so they could have their hair done for a wedding party – a custom that had always been a strong part of the culture but was now against the law.</span></p> <p><span style="font-weight: 400;">It was when I walked into that first salon that I knew there was no turning back. I was going to do something for my sister hairdressers. I realised that hairdressing was a fantastic portable skill, one that was perfect for Afghanistan, and one that could give women choices and a way to feed their family.</span></p> <p><span style="font-weight: 400;">This was a skill that could be done in or out of the home, and it would be a sanctuary for women only. No man could control – or even step foot into – the salon. It would be such an empowering place for the women to be free.</span></p> <p><span style="font-weight: 400;">Opening the Kabul Beauty School was one of the most rewarding but difficult things I have done in my life. In the beginning, when I was working with so many young Afghan women at the school, I felt so overwhelmed by the traumas that each of these girls had endured for so many years. But on the other hand, I saw the strength and power that each of these young women seemed to have been born with.</span></p> <p><span style="font-weight: 400;">I was horrified when I heard about arranged marriages at the age of twelve, how so many had to flee their homes for years due to the Taliban, and about those who had to stop going to school in fourth grade because of war. I was amazed at the core strength of these women.</span></p> <p><span style="font-weight: 400;">I never had the intention of being a writer, but I always wrote. I kept daily notes and journals so that my head could purge some of the information it was gathering each day. Often, I felt that I was on overload, I was out of my comfort zone, I was out of my element, and each day, I was listening to a new and difficult story that one of the girls needed to share.</span></p> <p><span style="font-weight: 400;">The more I wrote, the more I began to understand that these women didn't need my pity, that we really are all the same. Like them, I am a woman, I am a mother, and I am a daughter. When I realised that, it all came together and the fun began. When I stopped looking at them as poor, tragic Afghan women, and instead as women who had gone through lots of stuff and who now wanted to move forward – just like most of us – everything changed.</span></p> <p><span style="font-weight: 400;">I decided I wanted the world to see these beautiful women as I did. I wanted them to be more than a news clip or a sound bite. I wanted the world to see them through my eyes.</span></p> <p><span style="font-weight: 400;">Afghanistan is a complicated place, and so when I left, I felt shattered. I had really thought that I would spend the rest of my life in Kabul; I never saw myself moving back to the United States. I missed the girls and my old life so badly, and spent the next few years grieving the loss of my Afghan family.</span></p> <p><span style="font-weight: 400;">Because I didn't want to let go of Afghanistan, the only way I could keep it close was to keep writing about it. I told my agent that I really wanted to write another book, but this time I wanted to write fiction. I wanted to write happy endings. I figured if you put it in writing, just maybe it will happen in real life. Also, I had to prove to my kids that I wasn't a one-hit wonder.</span></p> <p><span style="font-weight: 400;">I have learned so much about myself while writing my five books. I’ve learned that I am a storyteller first and a writer second. I love the process of developing a book. I love how the characters come alive and become your best friends, and how some turn into people you never want to see again.</span></p> <p><span style="font-weight: 400;">Writing is my best therapy, it is my best friend, it is a true companion.</span></p> <p><em><span style="font-weight: 400;">Deborah Rodriguez’s new book, The Zanzibar Wife is available now (Penguin Random House, RRP $32.99).</span></em></p> <p><em><span style="font-weight: 400;">Written by Deborah Rodriguez. Republished with permission of </span><a href="https://www.wyza.com.au/articles/lifestyle/wyza-life/what-i-learned-as-a-hairdresser-in-a-war-zone.aspx"><span style="font-weight: 400;">Wyza.com.au.</span></a></em></p>

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How to hold a successful garage sale

<p><span style="font-weight: 400;">Clearing your home of clutter or old and unwanted items is an important task when you’re planning to sell or move house, but it can be also be a great way of simply freshening up and re-organising your home.</span></p> <p><span style="font-weight: 400;">If you hold a garage sale after the clean up, you also have a chance to make some extra money and have a fun day with family, friends and neighbours. If you don’t know where to start, the key is planning and preparation. Here are our five tips for a garage sale.</span></p> <p><strong>1. Decide on a date</strong></p> <p><span style="font-weight: 400;">Choose a Saturday or Sunday, three to four weeks ahead. You need time to collect, clean up, arrange and price items. By deciding on a date in advance, you also have a deadline to work towards. Make sure the date does not clash with any major local events or sport activities, and that helpers are free to assist on that day. </span></p> <p><strong>2. Start Collecting </strong></p> <p><span style="font-weight: 400;">Begin sorting through your home for goods you are willing to sell, including everything you want to get rid of. You will be surprised - your junk can be another person's treasure. Remember, though, that some items may need to be cleaned or repaired to ensure a good price. It’s important that you tell as many neighbours, friends and family as possible that you are having a garage sale, as they may have some items they want to sell and may be willing to help out on the day. </span></p> <p><strong>3. Spread the word</strong></p> <p><span style="font-weight: 400;">Advertise in your local paper two weeks before the day, but don’t forget to use social media (many neighbourhoods have their own Facebook pages) or websites such as gumtree.com.au. Facebook has recently launched its ‘Market’ in Australia aimed at helping people find things for sale locally. Ask local shops and supermarkets if they allow signs in their windows, and consider community notice boards.</span></p> <p><span style="font-weight: 400;">Also place signage on the corner of your street and main road, either the evening before or early on the morning of the sale. Often your local real estate office will be able to help you with the supply of pointer signs because agents are frequently asked to help their clients with garage sales. Remember to keep all signs and advertisements brief - the day, date, start and finish time and your property address is all that is required.</span></p> <p><strong>4. Be prepared </strong></p> <p><span style="font-weight: 400;">Make sure all items are clearly priced with stickers before the day. Keep pricing simple – saves having to do a lot of adding up on the day. Have plenty of change available, including small change and notes. Money belts are useful for collecting cash or you can use a till as long as it is never left unattended. It is also a good idea to have a calculator, pencil and paper, bags, boxes and newspaper to wrap valuables. And don’t forget to have drinks and seating handy for you and your helpers – it can be a long morning! </span></p> <p><strong>5. On the day </strong></p> <p><span style="font-weight: 400;">Don’t be surprised if you find serious buyers knocking on your door an hour or two before start time. A good ‘official’ starting time is 9am, so that visitors won’t disturb you too early. During the day, remember to keep your house locked at all times, and ensure you have a secure place inside your home to put cash as it accumulates. State a clear finish time so people are not coming too late in the day. </span></p> <p><span style="font-weight: 400;">After the sale has finished, donate leftover items to a local charity. By being prepared you will be able to relax and enjoy the day, ending up with a clean house and a little extra cash at the end.</span></p> <p><em><span style="font-weight: 400;">Written by Stewart Bunn. Republished with permission of </span><a href="https://www.wyza.com.au/articles/property/how-to-hold-a-successful-garage-sale.aspx"><span style="font-weight: 400;">Wyza.com.au.</span></a></em></p>

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Celebrate Christmas like a Royal

<p><span style="font-weight: 400;">As the holiday season approaches, many of us will be busy buying presents, testing out Christmas recipes, and organising festive feasts for our loved ones, so it’s only befitting to ensure you host an impeccable dinner party.</span></p> <p><span style="font-weight: 400;">Zarife Hardy, Director of the Australian School of Etiquette, shares her etiquette tips and reflects on some royal traditions so you can celebrate Christmas as the Royals would.</span></p> <p><span style="font-weight: 400;">The Royal Family have traditionally spent Christmas Eve together at the Queen’s country home, with the grandchildren putting the finishing touches to the tree. Holiday rituals in the royal household today come from ways of celebrating popularised by Queen Victoria herself. Some of these traditions have become the accepted way we celebrate Christmas nowadays.</span></p> <p><strong>Royal traditions</strong></p> <p><span style="font-weight: 400;">The Royals will lay out all their presents in the drawing room, opening their gifts on Christmas Eve. The Monarch’s gifts are unlikely to be pricey, as the Royals tend to buy each other jokey things. At 8pm, a candlelit dinner is served, with the ladies in gowns and jewels, and the men dressed in black tie. While it is a formal affair, it is also a wonderful opportunity for the families to catch up.</span></p> <p><span style="font-weight: 400;">On the morning of Christmas Day, a full English breakfast is served before everyone attends the traditional church service. Afterwards, they return home for a turkey roast with all the trimmings, before gathering to watch the Queen's speech at 3pm. In 1840, the Christmas Day menu for Queen Victoria and her family included both roast beef and a royal swan or two. Today, the staff can put their feet up, as the family insist on serving themselves their own buffet supper.</span></p> <p><strong>Dos and don’ts</strong></p> <p><span style="font-weight: 400;">Reflecting on these traditions, there are some key etiquette learnings that trace back to Queen Victoria’s days — many of which Queen Elizabeth II still likes to follow today.</span></p> <p><strong>Here are some tips to properly prepare you for the holidays:</strong></p> <p>1. Send Christmas cards. Most people enjoy receiving cards and Queen Victoria was a huge fan of the Christmas card.</p> <p>2. Be a gracious guest. If you have been invited to someone’s house for lunch or dinner, show your manners: be on time, bring a gift, don’t drink too much, and know when to leave.</p> <p>3. Always greet guests at the door. Be the perfect host — greet your guests at the front door, introduce them to everyone, and have plenty of food and activities. Do as much preparation as possible the day before so you can enjoy the celebrations with your guests.</p> <p>4. Be generous but don’t get into debt! You don’t have to spend a fortune on gifts — it is nice to give something small to everyone, particularly the children. If funds are limited, bake cakes or biscuits, and present them in a festive gift bag or tray.</p> <p><span style="font-weight: 400;">The Royal Family doesn’t gift expensive items, rather they like to give each other gag gifts. Prince Charles was once given a white leather toilet seat but found it so comfortable, he now brings it with him on all overseas tours.</span></p> <p>5. Show gratitude even if you don’t like the gift. Keep in mind that the person took time to think about you and select something he or she thought you would like.</p> <p>6. Have fun at the office party but don’t forget where you are. It is never okay to drink too much, tell off-colour jokes, or get too close to other colleagues.</p> <p>7. Spend extra time with children or grandchildren. Be prepared to remind them of all the manners you have taught them — it’s easy to forget during the chaos of Christmas.</p> <p><span style="font-weight: 400;">8.. Don’t forget your thank you cards. Make sure to send a written acknowledgement to all who have given you a gift, hosted an event you attended, or done something special for you. Most importantly, enjoy every moment — Christmas only comes once a year, so be kind, be generous, be grateful.</span></p> <p><em><span style="font-weight: 400;">Written by Zarife Hardy. Republished with permission of </span><a href="https://www.wyza.com.au/articles/lifestyle/wyza-life/celebrate-christmas-like-a-royal.aspx"><span style="font-weight: 400;">Wyza.com.au.</span></a></em></p>

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Where is Da Vinci’s $450m Jesus painting?

<p>A highly anticipated exhibition of Leonardo da Vinci’s works at the Louvre is set to open on October 24.</p> <p>Nearly 120 of the Italian artist’s most famous art pieces will be brought together with <em>Mona Lisa</em> at the Paris museum to commemorate the 500<sup>th</sup> anniversary of his death.</p> <p>However, with less than two weeks to go before the show opens, there are doubts as to whether the popular <em>Salvator Mundi </em>– the first Leonardo to be found for more than a century – will be featured.</p> <p>The painting, which depicted Jesus in Renaissance dress, emerged as the world’s most expensive after it sold at a 2017 auction for US$450.3 million to Prince Badr bin Abdullah of Saudi Arabia.</p> <p>The painting’s whereabouts is currently not known. New York art historian and dealer Robert Simon claimed he had heard that it was “being kept in a secure art storage facility in Switzerland” as of months ago, while <em><a href="https://www.bloomberg.com/news/articles/2019-06-10/da-vinci-s-450-million-masterpiece-kept-on-mbs-s-yacht-artnet">Artnet.com</a> </em>alleged it was stored on a superyacht owned by Saudi’s Crown Prince Mohammed bin Salman.</p> <p><em><a href="https://www.theartnewspaper.com/news/salvator-mundi-set-to-be-a-no-show">The Art Newspaper</a> </em>went further to claim that the <em>Salvator Mundi </em>will be “a no-show”, given that the museum had yet to secure the approval for the loan four weeks prior to the opening.</p> <p><span>A spokeswoman for the Louvre told the <em>Observer</em>: “I confirm the Louvre has asked for the loan of the <em>Salvator Mundi</em>. We don’t have the answer yet and thus, don’t have any further comment.”</span></p> <p>The painting’s authenticity has also been called into question. It was initially attributed to the “school of Giovanni Boltraffio”, a student of Leonardo’s, before it was upgraded to “a work by Boltraffio” in 1958. The piece was only authenticated as “an autograph work by Leonardo” in 2011.</p> <p>Several experts have challenged the attribution, with some <a href="https://en.wikipedia.org/wiki/Salvator_Mundi_(Leonardo)#cite_note-nytimes.com-85">claiming</a> the painting was a “studio work with a little Leonardo at best”.</p>

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How to hang art (without messing it up)

<p>While everyone may have different tastes in art, there are some general tips and tricks you should keep in mind when hanging your favourite pieces.</p> <p><strong>Keep it level</strong><br />From photographs to sculpture to pastels, art is meant to be seen. That means it's important to hang it at eye level. It's typically a good idea to have the centre of the artwork about 1.5 metres from the ground.</p> <p>Also make sure that the work is hanging properly. A crooked painting can ruin the entire atmosphere of a room. And heaven forbid you hang it upside down!</p> <p><strong>Think big picture</strong><br />Unless you have your own private gallery at home, you'll need to make sure your art fits with the rest of your possessions - particularly your furniture.</p> <p>Art should enhance your home decor, not clash with or take away from it. Keep this in mind when it comes to art placement, as well as the colour of frames and the works themselves.</p> <p><strong>Safety in numbers</strong><br />While you don't want to overwhelm the senses, it's a good idea to remember how art can work in groups.</p> <p>For instance, say you want to hang a painting above your sofa. While your first inclination may be to centre it directly above the furniture, unless the artwork in question is the right size, it could throw off the look of the room. If it's too big it will dwarf the sofa, and if it's too small it just won't look right compared to a big piece of furniture.</p> <p><strong>The 1.45 rule<br /></strong>This one tip guarantees success when placing your art. Always make sure the centre of the artwork is exactly 1.45m above the floor. This is the average human eye-height and is often used as a standard in galleries and museums. </p> <p>People tend to hang art too high but if you stick to this rule, you’ll create consistency across all the artwork in your home, as all your pictures will share a midline as you look around, no matter what the outside dimensions may be.</p> <p><strong>Step by step</strong></p> <ul> <li>Measure and lightly mark 1.45m on your wall with a soft pencil</li> <li>Measure the height of your artwork and divide by two to get the centre measurement</li> <li>Measure the top of your picture frame to the tightened wire</li> <li>Subtract the tight wire measurement from the half height amount to achieve your ‘to the hook’ amount. This helps you establish how high above 1.45m your hook should be placed</li> <li>Lightly mark your wall just above 1.45m with your ‘to the hook’ amount</li> </ul> <p>With groups of pictures, think of the group as one picture.</p> <p><strong>Avoid catastrophe</strong><br />When you’re hanging a frame, check the picture wire and attachment points for wear. Picture wire is made from many fine wires wound together. Over time and after many moves, some of these fine wires can start to break. This will usually occur right where the centre point of the wire is; the point at which it rests on the wall hook.</p> <p>As you’ve adjusted your frame to keep it level, this wears away at the wire and eventually it can snap – with potentially disastrous results. If a painting or picture is particularly heavy, make sure you use a double strand of picture wire and be very careful about your choice of wall hooks and mounting locations.</p> <p>If your walls are made from gyprock, purchase a stud finder from your local hardware shop. This will help you locate your home’s timber framework so you can place screws or hooks at the points of greatest strength. If you prefer to use special gyprock mounting hooks, pay very close attention to their weight limits and always use a bigger hook than you need for the job.</p> <p><em>Written by Stewart Bunn. Republished with permission of <a href="https://www.wyza.com.au/articles/property/how-to-hang-art-without-messing-it-up.aspx">Wyza.com.au.</a></em></p>

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How was the crossword puzzle invented?

<p> </p> <p>Can doing crosswords really help you stay happier and healthy for longer? </p> <p><u><a href="http://t.dgm-au.com/c/185116/69171/1880?u=http%3A%2F%2Fwww.booktopia.com.au%2Fan-actor-and-his-time-paperback-sir-john-gielgud%2Fprod9781557834157.html">Sir John Gielgud</a></u> believed so. The star of <a href="http://t.dgm-au.com/c/185116/69171/1880?u=http%3A%2F%2Fwww.booktopia.com.au%2Fdvd-movies%2Farthur-1981-arthur-2%2Fprod9325336162033.html"><em>Arthur</em></a>, <a href="http://t.dgm-au.com/c/185116/69171/1880?u=http%3A%2F%2Fwww.booktopia.com.au%2Fdvd-movies%2Fchariots-of-fire%2Fprod9321337051796.html"><em>Chariots of Fire</em></a>, <a href="http://t.dgm-au.com/c/185116/69171/1880?u=http%3A%2F%2Fwww.booktopia.com.au%2Fthe-power-of-one-popular-penguins-bryce-courtenay%2Fprod9780143204794.html"><em>The Power of One</em></a> and <a href="http://t.dgm-au.com/c/185116/69171/1880?u=http%3A%2F%2Fwww.booktopia.com.au%2Fdvd-movies%2Fthe-portrait-of-a-lady%2Fprod0044007820520.html"><em>The Portrait of a Lady</em></a> solved a crossword every day until he died, aged 97, with a completed crossword by his bedside.</p> <p>He used to say, “Completing the crossword is the only exercise I take.” And the Shakespearean actor spent every spare moment on set doing his beloved crosswords.</p> <p>The Queen, who has just celebrated her 90th birthday, also enjoys a good crossword. Actress Betty White, 94, is also passionate about her crosswords. “I do mental exercises. I don't have any trouble memorising lines because of the crossword puzzles I do every day to keep my mind a little limber.”</p> <p><strong>Ever wondered how the crossword was created?</strong><br />Newspaper man Arthur Wynne was originally from the UK and moved to New York in 1905. While he was working at the newspaper The New York World as editor of the ‘fun’ section in 1913, he created the ‘word-cross puzzle’. This diamond shaped word game was derived from the ancient game of acrostics and wordsquares, which was a Victorian past-time. There were 31 simple clues and it was published on Sunday December 21, 1913.</p> <p>Due to its popularity and newly named the ‘crossword’ Wynne’s creation was published in the newspaper for ten years before a pair of Harvard graduates came up with the idea to publish a book of crosswords (as their Auntie Wixie was a fan). A publishing phenomena was born!</p> <p>So, how does doing crosswords help you? Of course, we all know, they are a great (healthy) escape from the demands of everyday life. They also make you think and provide much needed mental exercises, which may keep the brain healthier, for longer.</p> <p><strong><em>Did you know crosswords were created 103 years ago?</em></strong></p> <p>Crosswords also improve your vocabulary - new words, new meanings, and new understandings of words. They teach organisational skills. After all, it’s often necessary to work back and forth between the Across and Down clues to solve the puzzle. Your spelling skills also get a workout and you pick up all sorts of <a href="http://www.wyza.com.au/puzzles.html#/games/trivia">general knowledge</a>.</p> <p>So you can feel good about the time you spend wrestling with <a href="http://www.wyza.com.au/puzzles.html#/games/wordsearch">clues</a> – you’re improving your memory and sharpening your brain. Love crosswords? The <a href="https://lovattspuzzles.com/lovatts-wyza-free-big-crossword-magazine-promotion/">first 500 readers who apply with be sent a free copy of Christine’s BIG Crossword Magazine</a>.</p> <p><strong>Mindfulness and puzzles</strong><br />One of the buzz words in today’s world of mental health is <a href="https://www.wyza.com.au/health/how-learning-about-mindfulness-can-help-you-stress-less,-help-your-relationships,-feel-happier-and-healthier.aspx">mindfulness</a>. Mindfulness has its roots in Buddhist meditation principles. It is especially helpful for people who worry about the past, or the future.</p> <p>When solving a <a href="http://www.wyza.com.au/puzzles.html#/games/crossword">crossword</a>, you may find that your mind is totally focused on the clues and answers, to the extent that you are not particularly aware of anything else. You might say it’s a form of meditation, except that in meditation the aim is to have no thoughts at all, which is not an easy stage to achieve.</p> <p>When solving crosswords you are keeping your mind engaged, which means you are not thinking of the past or the future, so you are giving that part of your brain a rest. This is fine as long as you are not crosswording while driving or minding a toddler!</p> <p><strong>Puzzles can be wonderful ‘companions’</strong><br />“Our Lovatts puzzlers often write in to tell us that our <a href="http://www.wyza.com.au/puzzles.html#/games/crossword">crosswords</a> and puzzles are invaluable companions and our puzzle magazines are well-travelled too. Many of our correspondents also say that their memory and word skills have improved since <a href="https://www.wyza.com.au/health/these-6-easy-daily-habits-will-help-protect-your-brain.aspx">taking up puzzle-solving</a> - especially if they don’t settle for easy puzzles but tackle the more challenging ones,” says passionate puzzler, <a href="https://www.wyza.com.au/lifestyle/wyza-life/what-is-it-like-creating-puzzles-for-a-living.aspx">Christine Lovatt</a>.</p> <p> “<a href="http://www.wyza.com.au/puzzles.html#/games/crossword">Crosswords</a> and other word puzzles use the right side of the brain whereas <a href="http://www.wyza.com.au/puzzles.html#/games/sudoku">Sudoku</a> or other logic puzzles use the left side. So if you can do both, you are giving your brain a total workout,” she adds.</p> <p><em>Republished with permission of <a href="https://www.wyza.com.au/articles/entertainment/how-were-crosswords-invented.aspx">Wyza.com.au.</a></em></p>

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3 people who came back to life reveal what they saw on “the other side”

<p>It’s the question we’ve all asked: What happens after death? These people say they have an idea.</p> <p><strong>Can people really see things when they’re “dead”?</strong></p> <p>No matter what you believe about the afterlife (or lack thereof), there’s no denying that plenty of people have claimed to see visions or have out-of-body experiences after their hearts have stopped.</p> <p>Sceptics might brush those off, but researchers have found that most near-death experiences tend to have common themes: Feelings of leaving or returning to their bodies, a sense of peace, bright lights, and encounters with spirits or people.</p> <p>In fact, medical treatment is good enough now that there’s a difference between clinical death (no breath or pulse, but could still be resuscitated) and biologic death (actually dead).</p> <p>Even cynics might get chills hearing about these otherworldly visions from people who were clinically dead or close to it.</p> <p><strong>1. “The most glorious feeling”</strong></p> <p>In 1994, orthopaedic surgeon Tony Cicoria called his mum from a pay phone during a lake house trip. They’d hung up but he still had the phone in his hand when a blue flash came out. He hadn’t realised there’d been a lightning storm brewing. He felt his body fly backward – and then, confusingly, forward. Cicoria turned around to see his own body lying on the ground. “I’m dead,” he thought. No grief. No ecstasy. Just a fact.</p> <p>After watching a woman start CPR, Cicoria moved on, floating up the stairs to see his kids getting their faces painted, realising that they’d be OK. “Then I was surrounded by a bluish-white light … an enormous feeling of wellbeing and peace,” he told the New Yorker. “The highest and lowest points of my life raced by me. I had the perception of accelerating, being drawn up… There was speed and direction. Then, as I was saying to myself, ‘This is the most glorious feeling I have ever had’ – slam! I was back.” (Weird side note: The doctor who revived Cicoria became overwhelmed with the urge to play and write piano music.)</p> <p><strong>2. “Just love. Unconditional love.”</strong></p> <p>After a four-year battle with lymphatic cancer, Anita Moorjani slipped into a coma in 2006. Doctors were sure it was the end – not realising that in her near-death state, she still had a consciousness. Initially, she felt like she was floating above her body with “360-degree peripheral vision” of the hospital room and beyond, she told <em>TODAY.</em></p> <p>She couldn’t see her late father himself, but she did feel his presence, and he had a message for her. “He said that I’ve gone as far as I can, and if I go any further, I won’t be able to turn back,” she said. “But I felt I didn’t want to turn back because it was so beautiful. It was just incredible because, for the first time, all the pain had gone. All the discomfort had gone. All the fear was gone. I just felt so incredible. And I felt as though I was enveloped in this feeling of just love. Unconditional love.”</p> <p>About 30 hours after falling into a coma, Moorjani flickered back into consciousness. Two days later, her organs started to regain function and the tumours started shrinking. Now she’s cancer-free and is a public speaker and author of books like <em>What If This Is Heaven?.</em></p> <p><strong>3. “It was really bright”</strong></p> <p>Annabel Beam had been diagnosed with two chronic, life-threatening digestive disorders at age four. By age eight, she was ready to give up until something unexplainable happened. She was sitting on a tree branch 10 metres in the air when it cracked; she fell all the way down and into a hollow at the base of the tree, where she was trapped for six hours. She says she died and went to heaven: “It was really bright, and I sat on Jesus’s lap and he told me, ‘Whenever the firefighters get you out, there will be nothing wrong with you,’” Beam told <em>TODAY</em>. “And I asked him if I could stay and he said, ‘No, I have plans you need to fulfil on Earth that you cannot fulfil in heaven.’”</p> <p>When she woke up, her illness had healed. Her mum wrote the book <em>Miracles from Heaven</em>, which was later turned into a film.</p> <p><em>Written by Marissa Laliberte. Republished with permission of </em><a href="https://www.wyza.com.au/articles/lifestyle/11-people-who-came-back-to-life-reveal-what-they-saw-on-%E2%80%9Cthe-other-side%E2%80%9D/page/1"><em>Wyza.com.au.</em></a></p>

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Remembering Barbara Stanwyck: A life in pictures

<p><span style="font-weight: 400;">109 years ago, Barbara Stanwyck whose original name was Ruby Stevens, was born in Brooklyn, US. </span></p> <p><span style="font-weight: 400;">The American motion picture and television actress gained traction in 1926 when she nabbed the leading role in </span><span style="font-weight: 400;">Burlesque. </span></p> <p><span style="font-weight: 400;">What made her a legend in her own right was not the number of revered awards, money or fame. Ms Stanwyck died being known as an iconic figure throughout the early ‘30s, for her sheer talent and her versatility that made her a force to be reckoned with during Hollywood’s Golden era. </span></p> <p><span style="font-weight: 400;">Stanwyck was nominated for an Academy Award for Best Actress four times for her roles in </span><span style="font-weight: 400;">Stella Dallas, Ball of Fire, Double Indemnity, </span><span style="font-weight: 400;">and</span><span style="font-weight: 400;"> Sorry, Wrong Number.</span></p> <p><span style="font-weight: 400;">The adaptable and gifted talent won three Emmy awards, a Golden Globe and an honorary Oscar in 1982. </span></p> <p><span style="font-weight: 400;">Later, Stanwyck was made the recipient of honorary lifetime awards and eventually went on to receive a star on the Hollywood Walk of Fame in 1960. </span></p> <p><span style="font-weight: 400;">Barbara Stanwyck died 20 January 1990 in Santa Monica. </span></p> <p><span style="font-weight: 400;">Scroll through the gallery above to see a glimpse of Barbara Stanwyck’s life through pictures. </span></p>

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